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Monday, November 5, 2012

The Examination of Cinematic Images

This irony is not, however, necessarily contestatory or free of the rigid dualisms of white patriarchal film practice." In other words, this particular theorist is suggesting that filmmakers who are ultimately businesspeople, suffer certain discourses to emerge and shape those discourses to serve their own ends.

This is sure a concept with which Deetz (1, 70-71) would agree.
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The idea here is that producers of goods and servi


ces do not necessarily take into depict the need to build consensus among stakeholders but many often map the communicative process as a way of determine what will be the subject matter of discourse.

While these 2 discussions of film and Hollywood productions may seem somewhat remote to the topic addressed herein, the fact of the matter is that the film persistence is a powerful communicative medium which has a peachy deal to do with the shaping of public opinion, social norms and mores, and the protraction of stereotypes. Film has the possibili
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