Controversies of The Deer Hunter

Michael's character is one of the closely common of characters in the Vietnam genre of films, a man whose committedness and love for his family is severely tested by his experiences as a Vietnam encounter soldier.

The Deer Hunter is structured in terzetto sectionalisations to underscore its main theme, the impact of combat on the hunter and the hunted and on the individual and his family members and friends. In the first section we be provided with the typical life experiences of small-town Pennsylvania characters as they use up themselves in their routine rituals and activities. The first of these is an elaborate Russian-American wedding and reception. The second base is a deer hunting outing in the Allegheny Mountains. These events are meant to show the normalized relations and rituals among family and friends that exist prior to various individuals' sake in the Vietnam fight. The second section is typical of many Vietnam War films in this genre, depicting the brutal and violent struggle-time experiences of the American combat soldiers in the jungles of Vietnam.

It is these experiences that will psychologically scare the combatants, making their interactions with friends and family members back up home more complex and problematic than in the spring sequences. The final segment of the film returns to Pennsylvania and involves the aftermath of war and its destructive impact on the physical and psychological ascertain of the three males who participated in the war. Only one of them is phy

Cimino, M. (Director). The Deer Hunter, (Film). USA, 183 min.: 1978.

Michael: I'll tell ya one thing, if I define out my life had to end up being in the mountains, it'd be alright, but it has to be in your mind.

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