Variations on the Word Sleep
By Margaret Atwood
In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her conscience need to connect with the some other person, and they also recognize the hopelessness of this goal: I would very(prenominal)(p) to trance you sleeping, which may not happen(1-2). The opening to the poem, as we see here, could be considered typical of Atwoods writing in the soul that one person longs to bond with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the power struggle between workforce and women, and even between women. But this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the dark maze of their consciousness.
The send-off stanza evolves from a simple plea from the genderless speaker to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain ambiguous in this respect, which helps a wider audience identify with the work.
The poem also has merit because deep down seven short, simplistic lines we glide from a gentle yearning to a love complex and intense, with two minds merging unitedly in a dream: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the reader through what appears to be a lovers dream or fantasy. The narrator at first wishes only to watch their lover sleep, then he/she desires to enter the same sleep, then envision him/her descending through the layers of consciousness. As the reader...
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