I am non what I am (I.i.62) declares Iago to Roderigo virtu each(prenominal)y the beginning of Shakespeares Othello, who will not take action be courting he is slow-witted. Iagos recognise of deception signals his evil. He is a deranged individual, salutary of envy, who wants to cause chaos and pain.
In acts I and II Iago, bent on bringing forth the destruction of Othello, gives to himself a list of motives for his hatred. His start-off motive, the fact that Othello gave the job of lieutenant to Michael Cassio, is the only one that makes mother wit for him to hate Othello. Not getting the job causes him notion to feel like a professional failure, hence causing a desire for revenge. When Roderigo responds to says I would not happen him then, (I.i.38), Iago responds with I follow him to serve my turn upon him (I.i.39). That is, he pretends to be friends with Othello in mark to get revenge. He then gives a list of footings, all weak, for hating Othello. The second priming is fear of Othello having a relationship with Emilia, give tongue to that Othello has twixt [his] sheets / Has done [his] office (I.iii.378-379) with only mere suspicion in that kind (I.iii.380) to back it up. Similarly, when he gives his third motive, that he loves Desdemona not out of absolute passion though peradventure / [he stands] control for as great a sin / but part led to diet [his] revenge (II.i.292-294). Yet another reason that Iago does not directly state, but is implicit, is his sickening jealousy of Othellos love and happiness with Desdemona. Iagos reasons, though weak, show him to be disturbed serviceman with inhumane methods of achieving his goal.
In his monologues and speeches to Roderigo, Iago bring outs how emotionally sick he is. After Roderigo leaves the...
First of all, many another(prenominal) writers, even among the educated, misconstrue the meaning of analysis and interpretation. Most writers fence the two to be synonymous and that they dope be employ interchangably. This simply isnt true.
Analyzing a text means to break it apart, verge by line - whether it be prose, poetry, fiction or non-fiction, in order to find the meaning of the work as a WHOLE. In other words, an analysis will reveal the constitution of the work under scrutiny.
Interpretation is when the reader takes a splintering of text and summarizes it in the vernacular. Whether the text contains metaphors, similies, hyperbole, or its just discipline winding or old english, it is summarized in a stylus so that the average reader will be able to understand it. Basically, interpretation is a simplistic way of simplifying an obscure, convoluted text. Priests interpret the bible, translators interpret languages, students interpret lines from Shakespeare. Notice I havent mentioned anything astir(predicate) meaning. Explaining what the text MEANS (interpretation) is hardly comparable to explaining how the text is important (analysis).
With this being said, lets take a look at the shew above.
First, the thesis is weak. Remember, this is a cite ANALYSIS. This means the paper should be about investigating the pieces traits, how those traits shape him or her, and how these traits provide a LINK to the meaning of the work as a full-length (THEME). For example, the writers thesis: He is a deranged individual, full of envy, who wants to cause chaos and pain, reveals the characters traits (deranged, full of envy) and how they shape him as a villian (who wants to cause chaos and pain). However, the thesis does not have a purpose - a statement where a theme can be derived. This is very integral in facilitating a character analysis. A better thesis might be: Iago is a deranged individual whose lust for revenge and manipulation causes so much strife in Othellos life that he distorts the Moors honourable judgement. In my thesis, I have identified the submit (Iago), his traits (deranged, lust for revenge and manipulation), how they shape him as a villain (causes so much strife in Othellos life ...) and how these traits effect a major theme in literature (the abandonment of reason for passion). THAT is a proper thesis statement for a character analysis. What we get is a character sketch and interpretations of key lines, which reveal certain attributes about the character in question, but in no way illuminates why it is important to the drama as a whole. Remember - the reader should care about the subject matter. A writer cannot convince a reader his or her subject is important if he or she never reveals how or why. Analysis reveals the how or why. Interpretation simply reveals the text in simpler form.
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