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There are the casual take to heartees who prefer the more popular operas, the people who attend one or two operas per season because they cant afford to attend any more, and the regular subscribers to packages of tickets who the Met is probably most responsive. The regular subscription holders are important stakeholders because they indicate the success of the operas. If they are unsatisfied with the former seasons operas, then they will not subscribe for tickets the by-line year, which would be detrimental. Without the support of the audience, the Met will be unable to attain their mission of spreading the arts. The critics are important stakeholders because they can either make or break an opera performance with their reexamine. If the critics protest with an opera performance, they will publish articles with a terrible review in which the audience will no longer correspond that performance. The employees and... If you want to get a full essay, order it on our website: Ordercustompaper.com
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