Finally, the priest is captured and executed. It would expect to be an obliterateing which suggests that the Church and its activities ar at an stop in Mexico, but Greene has another priest arrive to demand on:
The stranger said, "I have only just landed. I came up the river tonight. . . . I am a priest . . . My name is Father---" But the boy had already swung the door ease up and put his lips to his hand before the other could give himself a name (221-222).
Clearly, then, Greene is saying that what the Church is doing---in the persons of its very flawed priests---is a sizeable thing which should and will continue. The idea of a good priest to Greene is not that he should be a ideal with discover flaws, but rather that he should struggle through his own flaws and sins and still manage to carry the Word of matinee idol to the people. The Church itself may be corrupt and out of touch with the lives of the peasants in Mexico, says Greene, but it still manages to get the job done through the relentless efforts of these very flawed human beings.
The arrival of the next unsung priest after the execution of the whisky priest lets us know that the work goes on. The fact that the protagonist of the hand as well as the priest who arrives at the end of the book are nameless tells u
The priest is angry at the muliebrity who he must go minister to. He is angry that he is breathing out to miss his boat. When Tench suggests that if he is not a renovate there is nothing that the priest can do for the woman if she is dying, the priest barks back at him:
He does not, in any(prenominal) case, appear to be the man who is responsible for bringing the watchword of God to the people of the entire province. He does not come along to be the sort of man who would risk his life by disobeying the law of the land in order to continue to perform the Mass for the people and in the name of God.
stood stiffly in the shade, a small man dressed in a shabby dark city suit, carrying a small attache case case.
He had a novel under his arm: bits of an amatory scene stuck out, crudely colored. . . . He had protuberant eyes; he gave an impression of unstable hilarity, as if perhaps he had been celebrating a birthday, alone (9).
The religious man to Greene is not the man who is adjoin by the accoutrements of the Church, or even one who rigorously follows the prescribed rituals of the Church. The religious man to Greene, as represented by the nameless whisky priest, is a man who is stripped down to his to the highest degree fundamental humanity. Greene writes of the peeling away of ritual obedience the priest has experienced over the years:
He recognizes that he should not rightly be saying the Mass without the altar gemstone he had left behind because it was too dangerous to carry. He even admits to despair---"the unforgivable sin" (60). In short, he seems to be clinging to his priesthood by a slim thread, and yet he keeps going, keeps carrying out his duty, keeps risking his life for God and for the service of human beings.
s that they are not doing this for their own glory but for the glory of God and the salvation of the people.
It is finally the priest's willingness to face the harsh truth to the highest degree life, about the Church, about humanity, and especially about himself, which gives him his worth and his wear out
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